In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.

A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.

Sixteen-year-old Melissa Kennedy’s been missing for almost 3 months now and the Town of Ridgedale is coming unhinged. The projectionist at the old revival movie house, Sylvia Potter (16) wants so badly to be in love. Just like in the movies. But can any guy live up to her ideal leading man? Even her best friend Harry’s unrequited love for her (since fifth grade) has never been reciprocated. When sexy, quiet, rich kid, Lucas Green transfers to Hampton Prep the sparks fly. Lucas and Sylvia’s initial animosity quickly becomes a heated romance – despite the warnings of almost every friend in her circle. But what seems like a love story straight out of the movies hits a major plot twist when the police begin an investigation into Lucas’ involvement in the Melissa Kennedy case. What really happened to Melissa Kennedy and how long can Lucas and Sylvia’s relationship last in the face of a mystery that threatens to change the lives of these teenagers forever? Written by AC (IMDb.com)

Loving documentary about the invisible hand that brings light in the cinema: the projectionist. Momentarily, his booth is at the centre of this film, which primarily looks back on the time when you could still touch film images. “Do pay attention to that man behind the curtain!”

In the aftermath of the Spanish Civil War, Ana, a sensitive seven-year-old girl in a rural Spanish hamlet is traumatized after a traveling projectionist screens a print of James Whale’s 1931 “Frankenstein” for the village. The youngster is profoundly disturbed by the scenes in which the monster murders the little girl and is later killed himself by the villagers. She questions her sister about the profundities of life and death and believes her older sibling when she tells her that the monster is not dead, but exists as a spirit inhabiting a nearby barn. When a Loyalist soldier, a fugitive from Franco’s victorious army, hides out in the barn, Ana crosses from reality into a fantasy world of her own.

Paris,1910. Emile, a shy movie projectionist, and Raoul, a colorful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Bird of Paradise cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an oversized but harmless flea, from the city’s ruthlessly ambitious police chief.

Battling insomnia and undiagnosed PTSD, a war veteran works nights as a projectionist at a decrepit theater. While struggling to adapt to civilian life, he soon finds himself tangled in an inescapable web of seduction, addiction, and violence.

A filmmaker recalls his childhood, when he fell in love with the movies at his village’s theater and formed a deep friendship with the theater’s projectionist.

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend’s father’s pocketwatch.

When home entertainment enters the market in 90s Beijing, a former projectionist ropes his young son into starting their own pirate movie company, but easy money comes with its own price tag.

Still pining for his ex-boyfriend, Géraud has come to a French seaside town to present his new experimental film, but the only person keen on seeing it is the cinema’s underage projectionist who becomes smitten with the handsome director.